Workshop:Pierre Attaingnant – Vingt et sept chansons musicales a quatre parties (1533) für Renaissance Flöten Consort

Pierre Attaingnant – Vingt et sept chansons musicales a quatre parties (1533) für Renaissance Flöten Consort
20./21. Oktober 2018
Workshop mit Amanda Markwick.
Pierre Attaingnant (1494-1552) printed his first book of music in 1528 with a Royal Privilege by Francois I. With this, he set a very high standard, and it didn’t take long until he was famous for the quality of his products. … Continue readingWorkshop:Pierre Attaingnant – Vingt et sept chansons musicales a quatre parties (1533) für Renaissance Flöten Consort

Workshop: Pierre Attaingnant – Vingt et sept chansons musicales a quatre parties (1533) für Renaissance Flöten Consort

Pierre Attaingnant – Vingt et sept chansons musicales a quatre parties (1533) für Renaissance Flöten Consort
20./21. Oktober 2018
Workshop mit Amanda Markwick.
Pierre Attaingnant (1494-1552) brachte 1528 seinen ersten Musikdruck mit einem königlichen Privileg von Francois I. heraus. Damit setzte er einen sehr hohen Standard und es dauerte nicht lange, bis er für die Qualität seiner Produkte berühmt war. … Continue readingWorkshop: Pierre Attaingnant – Vingt et sept chansons musicales a quatre parties (1533) für Renaissance Flöten Consort

Photos

  Press Photos Upon Request  

Bio

Mesmerized by the pure, almost vocal sound of the flute since she first heard it as a child, Amanda Markwick has since made that fascination her own reality, playing historical flutes and earning such encouraging feedback as “beautifully flowing, colourful tones” and “you play a … Continue readingBio